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This of course requires your initial practice to be very slow and careful.
REAR STRANGLE
When an opponent is on the ground with his back towards you, step up close with your right foot. Place your right knee against his shoulder. Kneel on your left knee.
Place your elbow on his shoulder with the forearm straight out in front. Bring your right forearm in front of his throat, the sharp edge of the wrist-bone against his windpipe.
Place the fingers of your right hand on the elbow of your left hand.
Bring the palm of your left hand behind opponent's head. Strangle him by pressing his head forward with your left hand and pressing his windpipe with your right wrist.
Go slowly and release him the instant he signals defeat.
STRANGLE HOLDS IN A JUJITSU MATCH
In a jujitsu match, when an opportunity offers, the strangle hold is applied like a flash of lightning. The opponent makes the signal of defeat, and the match is decided. Quick as has been the operation, no injury or pain has resulted to the vanquished man.
A jujitsu man who applied a hold so roughly and clumsily as to damage his opponent would be so ashamed of himself that he would not show his face in the wrestling hall for months to come. Such an incident, however, does not occur. Before a jujitsu man has worked his way up to the ranks of the third-class exponents, he has acquired a temperance, a control of his movements, that makes such an occurrence unthinkable.
Although there is no limit to the deadly nature of the holds used in a jujitsu match, there is never an accident on that account. I have trained large numbers of men in the effective use of the Death Lock, and by this system in a few lessons, they, too, acquire a temperance, and are able to use this hold with safety to themselves and their opponents.
The rear strangle is one of the four methods used in jujitsu matches of strangling a man from the rear, all of them equally effective and interesting. They achieve their object of making the opponent quit either by pressure on his windpipe, on the nerves and blood vessels of his neck, or on his spine. You are not taught these other methods in this course, for the simple reason that the Death Lock supplants them all. A complete course of self-defense should teach you not only the best tricks to use, but why you should use them, and we give you this rear strangle so that you may compare it with the Death Lock.
LESSON 52
THE SECRET JAPANESE DEATH LOCK
The most effective hold in existence.
Superior to the ancient secret holds of Greece and Rome.
Known to but few Japanese and never before published in any book, Japanese or foreign.
Name of Partner Date Commenced The Death Lock
1.
2.
3.
4.
5.
6.
7.
8.
9.
10.
Make a check mark against each lesson each day you practice it
THE SECRET JAPANESE DEATH LOCK
Set your opponent on the floor with his back to you. Place your right knee against his right shoulder with your left leg straight behind and your balance and strength in the Stahara.
Place your right cheek against his left cheek.
Place your right forearm in front of his neck, with the sharp bone against his windpipe.
Place the palm of your left hand on the back of your right, and clasp tightly.
Keep the weight of your body on the back of his head or neck, and choke him by pressure of your wrist-bone on his windpipe.
Be cautious and slow, and release the instant he claps.
THE DEATH LOCK - FRONT VIEW
Study of these two photos will teach you more than countless demonstrations or explanations. The hold can be taken so quickly and effectively that the opponent has quit and been released before the observer has had time to notice it.
Again, if you did happen to get this hold on a man, you would try to choke him with your arms, and as you have less leverage than the previous rear strangle, you would conclude that the former was the better trick. This explains how the few people who knew this trick were able to keep its secret to themselves. Now, however, by these photos and instructions anyone may discover for themselves how to apply the weight of the whole body against opponent's neck.
THE HISTORY OF THE DEATH LOCK
I had studied jujitsu six or seven years before I knew that such a hold existed. I had retained one of the cleverest exponents of jujitsu, who was professor at one of the large military stations, and he made a long journey three times weekly to instruct me at my private wrestling school in Yokohama. Although I was in the ranks of the "first-class" men when I started with him, he could at first make me quit every few seconds, but in about a year I worked this down until the average was three victories for him in five minutes, and he had to exert himself to defeat me.
He was a slow looking man, but he could apply locks and holds quicker than the proverbial greased lightning. The speed of his movements was accentuated by the fact that he maneuvered me into "walking into" these holds, half of his speed coming from my own efforts. I was especially amazed at the speed with which he used to choke me from the rear, and thought it was the ordinary rear strangle. But gradually my suspicions were aroused that he had another hold. None of my other teachers ever tried such a hold on me, and I never saw it used in matches or practices in the large schools.
Asked point blank what method he was using, he would very conscientiously demonstrate the rear strangle, stoutly denying that he ever used anything else, or that any other hold existed, except, as he hinted, in my vivid and suspicious imagination.
One day the chance came for which I was waiting. I left an opening for the rear strangle and quick as a flash he applied it. Simultaneously I placed my right hand on top of my head, and my left hand on my left shoulder, and discovered of course that he was not using the ordinary rear strangle.
When I recovered consciousness (I could not make the signal of defeat as my hands were busy investigating his grip), I told the professor that I had proved that he had another grip which he was hiding from me. My kind instructor thereupon thought that such perseverance and merit should be rewarded suitably, which he thereupon did, by imparting the secret Death Lock to me.
Lesson 53. Escape from Death Lock.
Lesson 54. Dislocation Death Lock - from which there is no escape.
Lesson 55. Scissors Death Lock.
Lesson 56. Scissors Death Lock on a man crawling ahead of you.
Name of Partner Date Commenced Lesson 53 Lesson 54 Lesson 55 Lesson 56
1.
2.
3.
4.
5.
6.
7.
8.
9.
10.
Lesson 57. Preliminary practice in Standing Death Lock.
Lesson 58. Special exercise in pulling a man back.
Lesson 59. The Standing Death Lock.
Name of Partner Date Commenced Lesson 57 Lesson 58 Lesson 59
1.
2.
3.
4.
5.
6.
7.
8.
9.
10.
Make a check mark against each lesson each day you practice it.
THE ESCAPE
Seize your opponent's right sleeve above the elbow with both hands. Tug his elbow forward. At the same time , turn your chin into his right elbow.
Pull him down over your right shoulder.
If the escape be executed before Assailant gets his full pressure on your neck, it is easy to get away.
NOTE ON THE IMPORANCE OF THE STAHARA
Take the Death Lock on opponent seated, putting strength into the arms only, and standing with the Stahara limp and relaxed. Let opponent execute the escape and note how easily you go over his shoulder.
Again take the Death Lock, this time with balance in your Stahara. Again let him try to escape, and note how easily you can frustrate his attempt.
THE DEATH LOCK - DISLOCATION
Take the Death Lock position.
With the weight of your body, press opponent's head forward. At the same time step back six inches with the right foot, pulling his neck back with your right forearm By this combination of strangulation and dislocation, the weakest man can make the strongest man quit, or, in case of warfare, kill him.
Let your first experiments with this deadly hold be cautious. Better do it slowly and gently until you gradually get it, than do it energetically, and succeed the first time, but so roughly that your opponent declines to let you do it any more.
If you do it gently, not only is there no danger, but no discomfort.
From this hold, there is no escape.
THE SECRET SCISSORS DEATH LOCK
Squat down behind opponent and take the Death Lock hold exactly as in figure 232. Practice this formally until you are proficient. Afterwards the lock may be used in various combinations.
Let opponent try to escape by straightening his knees and pushing you over backwards, slowly. Keep tight hold on his neck. (The knowledge of this trick is not very general amongst the jujitsu fraternity. The possession of this secret gives the lucky man an immense advantage in matches.)
Let him roll you right over onto your back. Wrap your legs around his thighs. Choke him by pressure of the sharp wrist-bone on his throat.
You can make a man unconscious instantaneously by this trick.
The inside wrinkle to this trick, which makes it doubly effective, is to raise your Stahara. This extends his body, "unbalances him," and weakens his power of resistance.
Make sure that your wrestling partner understands the signal of defeat, and release him the instant he quits. There is no danger in practice, only do it slowly at first.
SCISSORS DEATH LOCK ON A MAN WHO IS CRAWLING AHEAD OF YOU
If you are on patrol duty and see an enemy ahead of you whom you must "get" without letting him give the alarm, steal up silently and get him unawares.
Get your right wrist around his neck, as already learnt in the ordinary Death Lock. Clasp your right hand with your left. Press the right side of your face against the left side of his. This grip will silence him.
Roll either to the right or the left, pulling him after you. Wrap your legs around his thighs to prevent his escaping, and choke him with the pressure of the sharp wrist-bone on his windpipe.
You get an additional leverage and weaken his resistance by raising your Stahara.
This trick may be used with great effect on a burglar, if such a gentleman pay you a professional visit and you catch him unawares.
Practice on grass or a carpet, and do it slowly and carefully.
This is the first time that a description of this deadly hold has been reduced to writing, or photographed.
PRELIMINARY PRACTICE IN THE STANDING DEATH LOCK
Simultaneously place your knee on opponent's back, and your hands on his shoulders, and throw him into position of figure 240. Before you try this, practice lessons shown at figures 222-224, and figure 227. This method would be useful against a very tall opponent whose neck you could not reach with your wrist. But for all ordinary opponents, the method shown in figures 242-245 is safer and quicker.
By the time his head is on your shoulder, you have secured the Death Lock and he is giving the signal of defeat.
A summary method of dispatching him would be to step back, bringing his seat smartly to the ground, when the impact will break his neck. Ability to keep your balance is the first essential in this trick, both for safety in practice and efficiency in execution.
SPECIAL EXERCISE IN PULLING A MAN BACK
To become expert in the Standing Death Lock, pass your hand in front of opponent's neck, as in figure 243, and pull him back into position of figure 241.
Drop your hands to your side. Let the back of opponent's neck rest on top of your shoulder (the Trapezius muscle). Do this, not by strength, but by unbalancing him. Guard against the sharp edge of your wrist choking him as you pull back. Be gentle.
Practice it with your opponent standing still until you find the correct angle at which to unbalance him, at right angles to his line of support. (See Book Five.) Soon you will unbalance him more quickly than he can step back.
Some men are never able to do the Death Lock because they rest the back of opponent's head or neck on their chest, thus exerting pressure in the wrong place. Some of my biggest and strongest pupils have been the slowest and most clumsy because they persisted in doing it with the strength of their arms. They could not use their bodies aright. This special exercise soon corrected that fault.
THE STANDING DEATH LOCK
Steal up behind opponent so softly that he does not hear you. Do not try this trick until you have mastered previous lessons. This trick is perfectly safe if you first master the preliminary exercises. But if you try this trick immediately on getting the book without previous training, I shall not be responsible for any injuries.
Pass your right wrist in front of his neck, with the wrist straight, and your sharp wrist-bone against his windpipe.
In practice be gentle. In actual attack knock him out, or at least render him speechless, by a sharp blow on the windpipe with the wrist.
Pull him back into position of figure 244, with the back of his head wresting between your neck and shoulder, and strangle him.
Practice it slowly.
By adding the process of dislocation to that of strangulation (that is, by getting him into position of figure 245), you make the hold twice as effective.
Practice the lesson of the Death Lock seated before you try it standing up.
HOW TO TEST YOUR EFFICIENCY IN THE DEATH LOCK
Have your partner stand with his back to you, six feet away. Tell him to call "Help" as soon as he feels you touch him. Steal up behind him and get him in the Death Lock before he can call out.
You are handicapped by the fact that he is expecting your attack, but even so, you will be able to get him
Remember that in an actual attack you would not take him gently, but would strike him so smartly on the neck hat he would be incapable of uttering a sound. Do not try this test until you have practiced for two weeks according to instructions. You will then be able to apply it without hurting your partner. You have all the rest of your life to practice in, so why run the risk of injuring a friend by trying the test without due preparation?
NEVER FOOL WITH THE DEATH LOCK
The Death Lock is too sacred and serious a thing to utilize in horseplay.
A jujitsu man practices hard for about an hour a day, and that is enough for him. When off the mat, he leaves it alone and thinks it beneath his dignity to fool around with dangerous tricks where there is a chance of accident from a slippery floor or a sharp corner. Avoid practical jokes around the office, or the parlor, or any other place where people are not expecting rough play. You will make yourself unpopular. You may bring jujitsu into discredit. And you may cause injuries.
Take all the practice you want at the right time, and with people who are similarly inclined.
THE SCOPE OF THIS COURSE
Although jujitsu matches have been occasionally mentioned, none of the tricks used in this course, with the exception of the strangle holds in Book Seven, could be used in a jujitsu match.
This course has taught the simplest and most effective ways of dealing with an armed or unarmed aggressor, whose intentions are to kill, maim, or rob. In addition, it has taught many tricks by which you may take prisoner, or disarm, an enemy without going the length of injuring or killing.
It has introduced you to this study by the use of movements with which you are acquainted, or which at least are simple. It uses the familiar as a stepping stone to the unfamiliar.
In this course each trick is practiced separately and formally, it being arranged beforehand who will act as aggressor.
My Japanese friends may criticize this course for containing matters extraneous to jujitsu (particularly the theory of Stahara), which were never taught me in Japan, but I believe this system will give quicker results in learning the art than any yet advised.
THE SCOPE OF THE NEXT COURSE
The next course teaches specifically the throws of jujitsu. It will teach you how to fall. It will teach the hip throw, by means of which a little woman can soon learn to lift and throw a heavy man. It will teach you the trips (there are seven different trips), the swiftest and most effective part of jujitsu wrestling. It will teach the Stomach Throw, wherein you go down on your own back, place the sole of one foot on opponent's stomach, and throw him over your head onto the floor behind you. It will teach the groundwork of jujitsu, the collar-chokes and arm-locks used in matches, which will bring victory whether you or he are on your back. The second course introduces you to competitive jujitsu, wherein either party may attack as he pleases with any of the tricks allowed in Stahara wrestling.
VALEDICTION
Student of this course, whosoever ye be, of whatever country, creed, or color, you are under an obligation to humanity at large, as well as to me, the humble medium that conveyed the knowledge, never to use the power you have acquired in a dishonest or dishonorable cause, or for a selfish purpose.
Let these exercises train not only your bodies, but also your chivalrous instincts, your sense of honor.
Though they give you the ability of a knight of old to rely on and use your own good right arm, they will fall short of their purpose if they fail equally to train you in the ethics of the knightly code - to battle for the right, and to defend the oppressed.
For the enemy of society at large, the Apache [e.g., an urban thug], the cutthroat, the assassin, we have in reserve tactics which will help to level the odds, since he is armed, and we are not.
In an unhappy struggle with those from whose opinions we differ, but who are actuated by motives as honorable as our own, defeat would be preferable to using foul tactics. This is simply the application of the larger rule which has actuated all good men, patriots, soldiers, citizens, throughout the ages: "Death before dishonor."
"It isn't whether we win or lose, but how we play the game."
1 2 3 4 5 6 7 8
REAR STRANGLE
When an opponent is on the ground with his back towards you, step up close with your right foot. Place your right knee against his shoulder. Kneel on your left knee.
Place your elbow on his shoulder with the forearm straight out in front. Bring your right forearm in front of his throat, the sharp edge of the wrist-bone against his windpipe.
Place the fingers of your right hand on the elbow of your left hand.
Bring the palm of your left hand behind opponent's head. Strangle him by pressing his head forward with your left hand and pressing his windpipe with your right wrist.
Go slowly and release him the instant he signals defeat.
STRANGLE HOLDS IN A JUJITSU MATCH
In a jujitsu match, when an opportunity offers, the strangle hold is applied like a flash of lightning. The opponent makes the signal of defeat, and the match is decided. Quick as has been the operation, no injury or pain has resulted to the vanquished man.
A jujitsu man who applied a hold so roughly and clumsily as to damage his opponent would be so ashamed of himself that he would not show his face in the wrestling hall for months to come. Such an incident, however, does not occur. Before a jujitsu man has worked his way up to the ranks of the third-class exponents, he has acquired a temperance, a control of his movements, that makes such an occurrence unthinkable.
Although there is no limit to the deadly nature of the holds used in a jujitsu match, there is never an accident on that account. I have trained large numbers of men in the effective use of the Death Lock, and by this system in a few lessons, they, too, acquire a temperance, and are able to use this hold with safety to themselves and their opponents.
The rear strangle is one of the four methods used in jujitsu matches of strangling a man from the rear, all of them equally effective and interesting. They achieve their object of making the opponent quit either by pressure on his windpipe, on the nerves and blood vessels of his neck, or on his spine. You are not taught these other methods in this course, for the simple reason that the Death Lock supplants them all. A complete course of self-defense should teach you not only the best tricks to use, but why you should use them, and we give you this rear strangle so that you may compare it with the Death Lock.
LESSON 52
THE SECRET JAPANESE DEATH LOCK
The most effective hold in existence.
Superior to the ancient secret holds of Greece and Rome.
Known to but few Japanese and never before published in any book, Japanese or foreign.
Name of Partner Date Commenced The Death Lock
1.
2.
3.
4.
5.
6.
7.
8.
9.
10.
Make a check mark against each lesson each day you practice it
THE SECRET JAPANESE DEATH LOCK
Set your opponent on the floor with his back to you. Place your right knee against his right shoulder with your left leg straight behind and your balance and strength in the Stahara.
Place your right cheek against his left cheek.
Place your right forearm in front of his neck, with the sharp bone against his windpipe.
Place the palm of your left hand on the back of your right, and clasp tightly.
Keep the weight of your body on the back of his head or neck, and choke him by pressure of your wrist-bone on his windpipe.
Be cautious and slow, and release the instant he claps.
THE DEATH LOCK - FRONT VIEW
Study of these two photos will teach you more than countless demonstrations or explanations. The hold can be taken so quickly and effectively that the opponent has quit and been released before the observer has had time to notice it.
Again, if you did happen to get this hold on a man, you would try to choke him with your arms, and as you have less leverage than the previous rear strangle, you would conclude that the former was the better trick. This explains how the few people who knew this trick were able to keep its secret to themselves. Now, however, by these photos and instructions anyone may discover for themselves how to apply the weight of the whole body against opponent's neck.
THE HISTORY OF THE DEATH LOCK
I had studied jujitsu six or seven years before I knew that such a hold existed. I had retained one of the cleverest exponents of jujitsu, who was professor at one of the large military stations, and he made a long journey three times weekly to instruct me at my private wrestling school in Yokohama. Although I was in the ranks of the "first-class" men when I started with him, he could at first make me quit every few seconds, but in about a year I worked this down until the average was three victories for him in five minutes, and he had to exert himself to defeat me.
He was a slow looking man, but he could apply locks and holds quicker than the proverbial greased lightning. The speed of his movements was accentuated by the fact that he maneuvered me into "walking into" these holds, half of his speed coming from my own efforts. I was especially amazed at the speed with which he used to choke me from the rear, and thought it was the ordinary rear strangle. But gradually my suspicions were aroused that he had another hold. None of my other teachers ever tried such a hold on me, and I never saw it used in matches or practices in the large schools.
Asked point blank what method he was using, he would very conscientiously demonstrate the rear strangle, stoutly denying that he ever used anything else, or that any other hold existed, except, as he hinted, in my vivid and suspicious imagination.
One day the chance came for which I was waiting. I left an opening for the rear strangle and quick as a flash he applied it. Simultaneously I placed my right hand on top of my head, and my left hand on my left shoulder, and discovered of course that he was not using the ordinary rear strangle.
When I recovered consciousness (I could not make the signal of defeat as my hands were busy investigating his grip), I told the professor that I had proved that he had another grip which he was hiding from me. My kind instructor thereupon thought that such perseverance and merit should be rewarded suitably, which he thereupon did, by imparting the secret Death Lock to me.
Lesson 53. Escape from Death Lock.
Lesson 54. Dislocation Death Lock - from which there is no escape.
Lesson 55. Scissors Death Lock.
Lesson 56. Scissors Death Lock on a man crawling ahead of you.
Name of Partner Date Commenced Lesson 53 Lesson 54 Lesson 55 Lesson 56
1.
2.
3.
4.
5.
6.
7.
8.
9.
10.
Lesson 57. Preliminary practice in Standing Death Lock.
Lesson 58. Special exercise in pulling a man back.
Lesson 59. The Standing Death Lock.
Name of Partner Date Commenced Lesson 57 Lesson 58 Lesson 59
1.
2.
3.
4.
5.
6.
7.
8.
9.
10.
Make a check mark against each lesson each day you practice it.
THE ESCAPE
Seize your opponent's right sleeve above the elbow with both hands. Tug his elbow forward. At the same time , turn your chin into his right elbow.
Pull him down over your right shoulder.
If the escape be executed before Assailant gets his full pressure on your neck, it is easy to get away.
NOTE ON THE IMPORANCE OF THE STAHARA
Take the Death Lock on opponent seated, putting strength into the arms only, and standing with the Stahara limp and relaxed. Let opponent execute the escape and note how easily you go over his shoulder.
Again take the Death Lock, this time with balance in your Stahara. Again let him try to escape, and note how easily you can frustrate his attempt.
THE DEATH LOCK - DISLOCATION
Take the Death Lock position.
With the weight of your body, press opponent's head forward. At the same time step back six inches with the right foot, pulling his neck back with your right forearm By this combination of strangulation and dislocation, the weakest man can make the strongest man quit, or, in case of warfare, kill him.
Let your first experiments with this deadly hold be cautious. Better do it slowly and gently until you gradually get it, than do it energetically, and succeed the first time, but so roughly that your opponent declines to let you do it any more.
If you do it gently, not only is there no danger, but no discomfort.
From this hold, there is no escape.
THE SECRET SCISSORS DEATH LOCK
Squat down behind opponent and take the Death Lock hold exactly as in figure 232. Practice this formally until you are proficient. Afterwards the lock may be used in various combinations.
Let opponent try to escape by straightening his knees and pushing you over backwards, slowly. Keep tight hold on his neck. (The knowledge of this trick is not very general amongst the jujitsu fraternity. The possession of this secret gives the lucky man an immense advantage in matches.)
Let him roll you right over onto your back. Wrap your legs around his thighs. Choke him by pressure of the sharp wrist-bone on his throat.
You can make a man unconscious instantaneously by this trick.
The inside wrinkle to this trick, which makes it doubly effective, is to raise your Stahara. This extends his body, "unbalances him," and weakens his power of resistance.
Make sure that your wrestling partner understands the signal of defeat, and release him the instant he quits. There is no danger in practice, only do it slowly at first.
SCISSORS DEATH LOCK ON A MAN WHO IS CRAWLING AHEAD OF YOU
If you are on patrol duty and see an enemy ahead of you whom you must "get" without letting him give the alarm, steal up silently and get him unawares.
Get your right wrist around his neck, as already learnt in the ordinary Death Lock. Clasp your right hand with your left. Press the right side of your face against the left side of his. This grip will silence him.
Roll either to the right or the left, pulling him after you. Wrap your legs around his thighs to prevent his escaping, and choke him with the pressure of the sharp wrist-bone on his windpipe.
You get an additional leverage and weaken his resistance by raising your Stahara.
This trick may be used with great effect on a burglar, if such a gentleman pay you a professional visit and you catch him unawares.
Practice on grass or a carpet, and do it slowly and carefully.
This is the first time that a description of this deadly hold has been reduced to writing, or photographed.
PRELIMINARY PRACTICE IN THE STANDING DEATH LOCK
Simultaneously place your knee on opponent's back, and your hands on his shoulders, and throw him into position of figure 240. Before you try this, practice lessons shown at figures 222-224, and figure 227. This method would be useful against a very tall opponent whose neck you could not reach with your wrist. But for all ordinary opponents, the method shown in figures 242-245 is safer and quicker.
By the time his head is on your shoulder, you have secured the Death Lock and he is giving the signal of defeat.
A summary method of dispatching him would be to step back, bringing his seat smartly to the ground, when the impact will break his neck. Ability to keep your balance is the first essential in this trick, both for safety in practice and efficiency in execution.
SPECIAL EXERCISE IN PULLING A MAN BACK
To become expert in the Standing Death Lock, pass your hand in front of opponent's neck, as in figure 243, and pull him back into position of figure 241.
Drop your hands to your side. Let the back of opponent's neck rest on top of your shoulder (the Trapezius muscle). Do this, not by strength, but by unbalancing him. Guard against the sharp edge of your wrist choking him as you pull back. Be gentle.
Practice it with your opponent standing still until you find the correct angle at which to unbalance him, at right angles to his line of support. (See Book Five.) Soon you will unbalance him more quickly than he can step back.
Some men are never able to do the Death Lock because they rest the back of opponent's head or neck on their chest, thus exerting pressure in the wrong place. Some of my biggest and strongest pupils have been the slowest and most clumsy because they persisted in doing it with the strength of their arms. They could not use their bodies aright. This special exercise soon corrected that fault.
THE STANDING DEATH LOCK
Steal up behind opponent so softly that he does not hear you. Do not try this trick until you have mastered previous lessons. This trick is perfectly safe if you first master the preliminary exercises. But if you try this trick immediately on getting the book without previous training, I shall not be responsible for any injuries.
Pass your right wrist in front of his neck, with the wrist straight, and your sharp wrist-bone against his windpipe.
In practice be gentle. In actual attack knock him out, or at least render him speechless, by a sharp blow on the windpipe with the wrist.
Pull him back into position of figure 244, with the back of his head wresting between your neck and shoulder, and strangle him.
Practice it slowly.
By adding the process of dislocation to that of strangulation (that is, by getting him into position of figure 245), you make the hold twice as effective.
Practice the lesson of the Death Lock seated before you try it standing up.
HOW TO TEST YOUR EFFICIENCY IN THE DEATH LOCK
Have your partner stand with his back to you, six feet away. Tell him to call "Help" as soon as he feels you touch him. Steal up behind him and get him in the Death Lock before he can call out.
You are handicapped by the fact that he is expecting your attack, but even so, you will be able to get him
Remember that in an actual attack you would not take him gently, but would strike him so smartly on the neck hat he would be incapable of uttering a sound. Do not try this test until you have practiced for two weeks according to instructions. You will then be able to apply it without hurting your partner. You have all the rest of your life to practice in, so why run the risk of injuring a friend by trying the test without due preparation?
NEVER FOOL WITH THE DEATH LOCK
The Death Lock is too sacred and serious a thing to utilize in horseplay.
A jujitsu man practices hard for about an hour a day, and that is enough for him. When off the mat, he leaves it alone and thinks it beneath his dignity to fool around with dangerous tricks where there is a chance of accident from a slippery floor or a sharp corner. Avoid practical jokes around the office, or the parlor, or any other place where people are not expecting rough play. You will make yourself unpopular. You may bring jujitsu into discredit. And you may cause injuries.
Take all the practice you want at the right time, and with people who are similarly inclined.
THE SCOPE OF THIS COURSE
Although jujitsu matches have been occasionally mentioned, none of the tricks used in this course, with the exception of the strangle holds in Book Seven, could be used in a jujitsu match.
This course has taught the simplest and most effective ways of dealing with an armed or unarmed aggressor, whose intentions are to kill, maim, or rob. In addition, it has taught many tricks by which you may take prisoner, or disarm, an enemy without going the length of injuring or killing.
It has introduced you to this study by the use of movements with which you are acquainted, or which at least are simple. It uses the familiar as a stepping stone to the unfamiliar.
In this course each trick is practiced separately and formally, it being arranged beforehand who will act as aggressor.
My Japanese friends may criticize this course for containing matters extraneous to jujitsu (particularly the theory of Stahara), which were never taught me in Japan, but I believe this system will give quicker results in learning the art than any yet advised.
THE SCOPE OF THE NEXT COURSE
The next course teaches specifically the throws of jujitsu. It will teach you how to fall. It will teach the hip throw, by means of which a little woman can soon learn to lift and throw a heavy man. It will teach you the trips (there are seven different trips), the swiftest and most effective part of jujitsu wrestling. It will teach the Stomach Throw, wherein you go down on your own back, place the sole of one foot on opponent's stomach, and throw him over your head onto the floor behind you. It will teach the groundwork of jujitsu, the collar-chokes and arm-locks used in matches, which will bring victory whether you or he are on your back. The second course introduces you to competitive jujitsu, wherein either party may attack as he pleases with any of the tricks allowed in Stahara wrestling.
VALEDICTION
Student of this course, whosoever ye be, of whatever country, creed, or color, you are under an obligation to humanity at large, as well as to me, the humble medium that conveyed the knowledge, never to use the power you have acquired in a dishonest or dishonorable cause, or for a selfish purpose.
Let these exercises train not only your bodies, but also your chivalrous instincts, your sense of honor.
Though they give you the ability of a knight of old to rely on and use your own good right arm, they will fall short of their purpose if they fail equally to train you in the ethics of the knightly code - to battle for the right, and to defend the oppressed.
For the enemy of society at large, the Apache [e.g., an urban thug], the cutthroat, the assassin, we have in reserve tactics which will help to level the odds, since he is armed, and we are not.
In an unhappy struggle with those from whose opinions we differ, but who are actuated by motives as honorable as our own, defeat would be preferable to using foul tactics. This is simply the application of the larger rule which has actuated all good men, patriots, soldiers, citizens, throughout the ages: "Death before dishonor."
"It isn't whether we win or lose, but how we play the game."
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